Monday, 12 November 2018

Quantity...and the catalogue

The fact that Dave Pearson worked tirelessly throughout his life and left an exceptionally large number of artworks has often been commented on. It's clearly a notable and impressive achievement, but it has led to a number of problems. Ella Cole has been working for the Trust (now the Studio) since 2013 cataloguing the work, although this process has now just about reached its end.

Each piece of work has had to be given a title, photographed and measured, and a decision made on what type of art work it is - painting, drawing, print, gouache etc etc. This information is then fed into the database, which gives the piece a 'catalogue number'. 

We have used Artlook Software to help us with this process from the beginning, and have been very impressed with it. Especially since it recently upgraded to a fully digital cloud-based application. Now, when we look at our catalogue on a screen, we see something like this:




It's easy to scroll through and call up and look more closely at individual items. It tells us whether a work has been sold or not, its price and year of origin. It's also simple to search for work under a wide range of category headings. So, for example, we can just just select 'etchings' and the screen will show only the etchings within the catalogue.

We're often asked about the quantity of work created by Dave. Ella completed her cataloguing at roughly item number 13,500.  But the catalogue started at number 110 rather than 0, and although the occasional mistake can be easily altered or modified, each change will move the numbering forward by one. So it might be more realistic to say that there are about 13,000 items in the catalogue. 

However Dave's many sketch books, many of which contain between 50 and 100 drawings, have simply been catalogued each as a single item. Similarly some folders of work (mainly sketches or monoprints) have been catalogued in the same way. In addition to this, we have never catalogued most of the the very early work, which is stored under not very good conditions in the cellar. It's mostly in poor condition but must amount in total to several hundred pieces. Finally, I estimate that there are perhaps 2,000 pieces of work at Dave's old house, now with his son Chris. So, taking these things into account there are probably about 15,500 pieces of work, in total, by Dave Pearson.




But - and its a big but, Dave never threw anything away. This has been very helpful in tracking his work through from its inception in sketch form through to the completed pieces. But it also means that there's a considerable amount of work which are best considered as sketches, sometimes scribbles, or as trial pieces, and as test pieces. I think, had Dave lived, he would certainly have rejected some of these and have archived them, and removed them from the catalogue of his work. 

Looking at this issue - and dealing with it - will be one of our major challenges in the forthcoming year or so. It might well mean that the estimated 15.500 pieces of Dave Pearsons catalogued work will finally be reduced to a catalogue raisonne of half that number, or even fewer.

Wednesday, 7 November 2018

The Plough Jags of Burringham

From time to time we receive queries about the provenance of a Dave Pearson work that has found its way into someones' possession. 

These are most frequently works not by 'our' Dave Pearson at all. There are one or two other artists out there going by the same name. Fortunately their work is immediately recognisable as being by a different artist. 

But yesterday I received a query about a print, and the sender sent me several photographs of it:


Interestingly it was signed, as an artists proof, by Dave, and dated 1980. It also had a title 'The Plough Jags of Burringham'. This information has been very helpful as we've not had an accurate date until now as to when Dave made the series of prints based on English Calendar Customs. Neither did we know exactly what the subject was. But with a little research I've found that 'The Plough Jags' are a folk group of mummers from the East Midlands, and Dave would probably have found a photograph of them during his researches into calendar customs. 

So we're been able to update our own records, and include this information on the Dave Pearson on-line shop, where freshly printed copies of the etching are currently available:


It's also given us further clues about a series of very large pastel drawings made by Dave Pearson. We knew that these were of English folk groups and customs, but were less certain as to their date. It means that almost certainly they were also done sometime around 1980:




Friday, 12 October 2018

RAT 2018

Last weekend was the annual local open studios event - Rossendale Art Trail, or RAT for short. We took part as ever (it would be hard not to as I'm the coordinator). This year our sister organisation, Apna Rossendale, also offered a very special exhibition. The Slough based artist Shamina Haq, who not only exhibited a number of her geometric pieces but was present throughout, giving demonstrations and discussing her work with visitors. 



The event naturally brought a larger proportion of visitors from the South Asian heritage communities, and most extended their visit and came upstairs to see the selection of smaller Byzantium-series panels by Dave Pearson. We had well over 100 visitors who came to see us during the weekend, and we also sold four pieces - a gouache, two prints and a ink and watercolour drawing. 



Thursday, 27 September 2018

Our new on-line gallery and shop


Over the past month or so Ella and I have been working on designing and setting up an on-line gallery and shop where Dave's work can be browsed through and items can be purchased directly. We've been able to do this through our links with Artlook Software, who designed the software for the catalogue that we've been using these past 8 years. Yesterday the site finally went live! 


Please visit us! We would be grateful to receive your feedback. 

We've started out with just a fairly small selection of works on paper, prints and small gouaches and oil paintings. Things we know that we'll be able to mail out safely and at reasonable cost. 

We hope to expand the work available on-line through time, as we get used to how on-line shopping works. 

Many thanks!

Tuesday, 11 September 2018

Art Trail 2018



We're currently preparing the studio on Manchester Road for a new exhibition - 'Fragments' - which will open for the 2018 Rossendale Art Trail during the first weekend in October (6/7th)...also open Friday 5th from 10.30am - 3pm. 

The exhibition will show a selection of the small oil paintings that Dave Pearson created to hang adjacent to the main multi-panel paintings of his Byzantium series. 

Thursday, 6 September 2018

An on-line shop

I've been working with Ella Cole to create a new on-line shop for purchasing Dave Pearson's work. It's an opportunity that has grown from upgrading the Artlook software that Ella has been using these past few years to catalogue Dave Pearson's work.

At the end of last year Artlook undertook a major overhaul of their software which enabled the catalogue to benefit from cloud technology for storage and our Macs to easily engage with a catalogue which previously been limited to PCs. 




One of the best things about these changes is that the new software comes with a website which can be fairly easily made into a shop for selling work. We hope that this will go live in a few weeks time, and at the moment we're creating some groupings of Dave's work for the experiment. Initially we will be offering some of his colourful Byzantium gouaches, a selection of etchings based on British Calendar Customs, smaller Byzantium-themed oil paintings, and other works on paper.   



Tuesday, 31 July 2018

Return





There's a week left of the 'Return to Byzantium' exhibition at the Turnpike, and I've revisited several times this last month. There's also been some great feedback, and a couple of reviews including one online from Corridor8:

"Like Yeats’ poem, Pearson’s work has a mystical quality about it. Images emerge, fall back, and re-emerge with new detail as your eyes dart across the paintings and attempt to decipher their message. You fall into a lucid dream-like state where the bizarre characters within the works develop narratives of their own: ‘Hi Pink Antler Guy, where are you asking to take me?’"

I continue to be very impressed by what the Turnpike offer. Every time I've visited there's been activity in the gallery space. Usually sessions for children and families, responding to the paintings through dance, writing, or drawing. Several friends have come over too, including an old friend who travelled from Amsterdam, in large part to see the show. There's no doubt that the response has been overwhelmingly positive. I'm now feeling sad that these great paintings are soon to return to 54 Manchester Road and be placed back in stacked up piles. Waiting how long before they're taken out to be seen again?